A group of children are holidaying with their parents in a crumbling lakeside mansion. Having long since diagnosed the adults as boozy, self-absorbed, and allergic to consequence, they retreat into a shadow society of their own, closer to feral than filial. When the storms come and the lights go out, the grown-ups drink through the apocalypse while the children, led by the deadpan Eve and her strange, prophetic little brother Jack, start actually doing something about survival. Millett’s genius is to smuggle an entire eco-apocalypse into a story of Genesis playfully rewritten by the generation stuck cleaning up after their forebears. A compelling, unsentimental, and quietly devastating read.

 

As Watkins’ celebrated Gold, Fame, Citrus showed, she has never been interested in comfortable fiction. Her latest novel, set in the Mohave desert, digs deeper into the discomfort through its protagonist Rose, an on-and-off Twelve-Stepper circling an old flame and craving another baby. The Yellow Pine of the title –a real solar farm in Nevada – embodies the central tension of the book: the collision between “green” energy and the wild land it demolishes. The result is a story that mourns the land as Rose knew it while insisting, stubbornly, on love, joy, humour, and the hope of future life amid the ruins: a novel that understands grief and vitality are not opposites, but conjoined twins.

 

Donna M Cameron’s novel is a striking hybrid of thriller, love story, family reckoning, and sly polemic about a planet on fire. Jagger Eckerman, on the run from his billionaire father and his hit men, hides deep in a rain forest in a cave already occupied by Nia — a woman on a mission to save the planet. But Nia isn’t just the story’s love interest: she is also its conscience, challenging Jagger’s first-world faith in technofixes and steadily dismantling them. Cameron’s gripping narrative is proof that cli-fi doesn’t have to choose between urgency and heart.

 

Campbell’s brilliant cli-fi novella weaves an intergenerational story of human resilience against the backdrop of ongoing ecological collapse. Rooted in the dire consequences of unchecked colonial capitalism, the story juxtaposes grief and loss alongside survival and regeneration. A professor rescues books from the flooded and collapsing McPherson Library. A man plants fireweed on the hillside of his depopulated Vancouver Island suburb. An aspiring luthier poaches the last ancient Sitka spruce to make a violin for a child prodigy. Campbell’s astonishing vision pulls the echoing effects of small acts and intimate moments through this interconnected story of how a west coast community survives the ravages of climate change.

A gentle and thought-provoking narrative that lingers long after the last page.

 

Despite its historical setting – the Dust Bowl of the 1930s – Karen Russell’s engrossing, hallucinatory drama of a Nebraska town in the throes of ecological breakdown feels achingly timely. At its heart is the question of memory and its suppression: of injustices that are deliberately forgotten only to rise again, of false memories handed solemnly down through generations, and of the vertiginous cost of allowing one view of history to prevail. Told from the point of view of a mystical “Prairie Witch” and her teenage acolyte, a repressed and lonely farmer, and a Black photographer tasked with documenting what remains of rural life, the story charts one small community’s battle to survive in a landscape it has destroyed, and with its own unstoppable demons.

 

“Earth had gotten the best the universe had to offer, in all categories, and the achievement had nearly killed her.” Enter Unferth’s teenage protagonist Dylan Stein. Most of America has been reduced to a desert wasteland, yet Dylan longs to leave her home community of Sea Garden, a “luxury pod” on the ocean floor. Finally, at the “fully terraformed resort” of Vacationland, she meets and falls in love with Melanie–a girl so engineered that she can pass as a robot–and together they decide to create a genetic database as an “Earth backup” from which to rebuild the Earth. While Unferth writes elegiacally about humankind’s death drive, the wild energy of her comedy transcends the grief of humankind’s predicament, and raises a thousand smiles. And boy, do we need them.

 

This haunting novel is set in a dystopian future where sunlight is rationed and controlled by a tyrannical regime. The story follows a young girl, Ava, as she navigates a world of scarcity, fear, and rebellion, all while grappling with her own family’s dark secrets. The novel explores themes of power, oppression, and resilience, drawing parallels to real-world issues of environmental degradation and authoritarianism. Ava’s journey is both gripping and poignant, making this a thought-provoking read.

 

A rebellion ignites amongst a community of sex workers on an isolated island in this fiercely moving novel – inspired by the real women of Banishanta, Bangladesh. Set on a desolate, sinking island, a group of children witness their mothers living lives of cruelty and servitude. Bought and sold by Amma, the sadistic madam who was once herself sold into slavery, the women have learned to accept their fate. Yet their children weave fantastic tales of escape, imagining that someday they will leave the island and enjoy a life of freedom.

When Kusum Khan, a young, educated woman from the city, is forcibly brought to the island, she too is subjected to Amma’s violent induction. Yet Kusum refuses to yield, and soon the collective complacency of her fellow prisoners turns into ferocity and defiance. Together, they begin a rebellion that will upend their island, their world and the very order of things.

An earth-shattering drama of resistance and female power, Uprising gives voice to the silenced through the story of a revolution no one saw coming.

Finalist in the Orwell Prize For Political Fiction, 2026.

 

Yoshiro thinks he might never die. A hundred years old and counting, he is one of Japan’s many ‘old-elderly’; men and women who remember a time before the air and the sea were poisoned, before terrible catastrophe promted Japan to shut itself off from the rest of the world. He may live for decades yet, but he knows his beloved great-grandson – born frail and prone to sickness – might not survive to adulthood. Day after day, it takes all of Yoshiro’s sagacity to keep Mumei alive.

As hopes for Japan’s youngest generation fade, a secretive organisation embarks on an audacious plan to find a cure – might Yoshiro’s great-grandson be the key to saving the last children of Tokyo?

 

Puchner’s engrossing multi-generational portrait of a groups of family and friends in Montana is a thoughtful examination of love, loss, and the enduring effects of past choices. But it is in its depiction of the desecration of wildlife and the creeping effects of climate breakdown that it excels. The story starts by an idyllic Montana lake in the present era, with the quickly-doomed wedding of Ceci and Charlie. But as the decades go by, we see how the lives of the bride, the groom, his best man and their families are shaped by good or bad luck, critical decisions, betrayals – and the creeping effects of wildlife habitat loss and climate breakdown. Like the best novels that deal with environmental issues, it’s in specifics – like the sinking water level in the once-pristine lake, or the disappearance of the native wolverine – that the present and the near-future are brought to poignantly exquisite life.