For years, when people asked me why I bothered reading comics, I would point them in the direction of Alan Moore’s Saga of the Swamp Thing. Not only is it a beautifully illustrated and powerfully written work of counterculture storytelling, it’s also a testament to the true potential of the graphic novel medium. For many people ­– myself included – this comic came with a moment of awakening, in the style of: ‘Whoa, I had no idea comics could do that’.

A brief synopsis. Our hero is Swamp Thing, an elemental representative of ‘the green’ – the hive mind of all plant life on Earth. In Moore’s editions, Swamp Thing takes the human form of Alec Holland, a plant scientist who suffers a terrible tragedy and goes on a series of spine-tingling, occasionally psychedelic and deeply moving adventures, mostly set in a swamp. The stories are characterised for being highly philosophical and politically challenging, very much in line with the rest of Moore’s oeuvre, such as ‘Watchman’ and ‘V for Vendetta’.

I recommend The Saga of Swamp Thing to anyone yearning for a modern-age Green Man to come and protect our wild world using only the power of vines and roots, weeds and blooms. – Philip Webb Gregg

The future that Alderman conjures in her ambitious, exuberant follow-up to The Power is all too close to our own. Unchecked corporate greed dominates the political and cultural landscape; the Sixth Mass Extinction is in full swing; and AI, social media and new gadgets are transforming the way we live, communicate and think.

Against this backdrop, a collection of billionaires, paranoiacs, and idealists including a former cult member and a survivalist influencer co-operate and compete to shape the future of their dreams. With the continuation of much of life on Earth at stake, Alderman’s timely, intelligent thriller is tempered with anthropological, philosophical and religious commentaries which deftly frame the action in the context of entrenched cultural history, the biodiversity crisis, and Deep Time. – Liz Jensen

Raging wildfires sweep through the Swedish countryside – turning holidaymakers into climate refugees. And yet, against this hellscape, life goes on. Marriages collapse; teenagers fall in love; parents succumb to midlife crises; children rebel.

As society starts to crumble, the fates of four very different characters intertwine. Didrik, a father of three and media consultant, finds that his misguided efforts to be the hero that saves his family only make things worse. Melissa, a climate change denying influencer, is determined to live for the moment, despite it all. Andre, the bitter teenage son of an international sports star, uses the erupting violence to orchestrate his own personal revenge. And Vilja, a once self-absorbed teenage girl steps up in the face of all this adult ineptitude, to organise and resist. This novel asks us to face up to one question: how will you decide to live, even if everything ends?

In a village in the Welsh Marches, the undercurrents are as dark and strong as the River Severn. After a beloved family member is drowned in a devastating flood, Bede and Elin Sherwell only want to pick up the pieces and pursue their off-grid life in peace. But when a local landowner applies to start fracking near their smallholding, they are drawn into the frontline of the protests. Mysterious threats and incidents begin to destroy trust, rake up the past and threaten their future together. Who is trying to ruin their world and how far will they go?

 

 

 

 

Franny Stone has always been the kind of woman who is able to love but unable to stay. Leaving behind everything but her research gear, she arrives in Greenland with a singular purpose: to follow the last Arctic terns in the world on what might be their final migration to Antarctica. Franny talks her way onto a fishing boat, and she and the crew set sail, travelling ever further from shore and safety. But as Franny’s history begins to unspool―a passionate love affair, an absent family, a devastating crime―it becomes clear that she is chasing more than just the birds. When Franny’s dark secrets catch up with her, how much is she willing to risk for one more chance at redemption? Charlotte McConaghy’s Migrations is an ode to a disappearing world and a breathtaking page-turner about the possibility of hope against all odds.

 

The story of a young Sami girl’s coming-of-age, and a powerful fable about family, identity and justice.

Nine-year-old Elsa lives just north of the Arctic Circle. She and her family are Sami – Scandinavia’s indigenous people – and make their living herding reindeer.

One morning when Elsa goes skiing alone, she witnesses a man brutally killing her reindeer calf, Nastegallu. Elsa recognises the man but refuses to tell anyone – least of all the Swedish police force – about what she saw. Instead, she carries her secret as a dark weight on her heart.

Elsa comes of age fighting two wars: one within her community, where male elders expect young women to know their place; and against the ever-escalating wave of prejudice and violence against the Sami.

When Elsa finds herself the target of the man who killed her reindeer calf all those years ago, something inside of her finally breaks. The guilt, fear, and anger she’s been carrying since childhood come crashing over her like an avalanche, and will lead Elsa to a final catastrophic confrontation.

 

‘There is a fish on the sand; I see it clearly. But it is not on its side, lying still. It is partly upright. It moves. I can see its gills, off the ground and wide open. It looks as though it’s standing up.’

A few decades into the twenty-first century, in their permanently flooded garden in Cornwall, Cathy and her wife Ephie give up on their vegetable patch and plant a paddy field instead. Thousands of miles away, expat Margaret is struggling to adjust to life in Kuala Lumpur, now a coastal city. In New Zealand, two teenagers marvel at the extreme storms hitting their island.

But they are not the only ones adapting to the changing climate. The starfish on Cathy’s kitchen window are just the start. As all manner of sea creatures begin to leave the oceans and invade the land, the new normal becomes increasingly hard to accept.

 

Inspired by a real-life green garden consultancy, this rom-com artfully combines comedy, fiction and science to foster green solutions. Tim – the unlikely hero – is fifty, single and trapped in a job he despises. In a desperate quest to find love and meaning, Tim transforms himself into Habitat Man, an eco-friendly twenty-first century superhero who endeavours to rescue the planet through a combination of wildlife gardening, composting toilets, bird psychology and green funerals.

When Tim accidentally digs up the body of the fabled guerrilla knitter in a back garden, his struggle for a better future becomes threatened by secrets from his past. Tim’s crises mirror those faced by the planet, and his sharing-economy, costing-for-nature policies offer hope for us all. D.A. Baden is Professor of Sustainability at the University of Southampton. Her award-winning research centres on how to move beyond preaching to the converted and engage mainstream audiences in green solutions.

“Habitat Man is both great fun and a delightful reflection on the ways we live –and die! – at a time when more and more people are grappling with today’s environmental challenges.” Jonathon Porritt

 

A dark and witty story of environmental collapse and runaway capitalism. In a near future in which tens of thousands of species are going extinct every year, a whole industry has sprung up around their extinctions, including biobanks housing DNA samples from which lost organisms might someday be resurrected. But then, one day, it’s all gone. A mysterious cyber-attack hits every biobank simultaneously, wiping out the last traces of the perished species.

Animal cognition scientist Karin Resaint is consumed with existential grief over what humans have done to nature, while extinction industry executive Mark Halyard comes from the dark side. But they are both concerned with one species in particular: the venomous lumpsucker, a small, ugly bottom-feeder that happens to be the most intelligent fish on the planet. The further they go in their hunt for the lumpsucker, the deeper they are drawn into the mystery of the attack on the biobanks.Who was really behind it? And why would anyone do such a thing? Virtuosic and profound, witty and despairing, Venomous Lumpsucker is Ned Beauman at his very best.

 

The creatures of the world’s oceans have had enough of being mistreated by humankind – and they’re taking violent revenge: within days, the whole globe is under attack from whales, toxic jellyfish and exploding lobsters. Is some unknown force coordinating their revolution, and if so, can a Norwegian marine biologist and his colleagues save the day? Gripping stuff, full of plausible extrapolations from real science. – Liz Jensen