APRIL

Leap with the hares, unfold with the flowers, fly with the bees, plunge into hidden habitats and meditate “with a mind made quiet by the power of harmony” with this month’s selection of top reads including novels from Elizabeth Gilbert, Susanna Kwon and Helen Phillips – and an iconic poem from William Wordsworth to ease the heart. Enjoy!

April 2026

Non Fiction

How Flowers Made Our World by David George Haskell

Humans, animals and insects are all attracted to flowers – and that’s exactly what flowers want, because with their gorgeous colours, enticing smells and alluring shapes, they are on a mission. Biologist and environmental scientist David George Haskell casts flowers as dynamic “revolutionaries” whose evolution triggered a cascade of biodiversity, transforming oceans, creating new habitats, and even altering the climate. Blending vivid storytelling and cutting-edge science, Haskell’s vibrant book shows how flowers are both portals into deep time and essential players in our ecological future.

Raising Hare by Chloe Dalton

When Dalton, a high-flying political advisor at Westminster, discovers an abandoned leveret near her home in the English countryside, she debates what to do. Should she leave it where it is, or try to save its life? Stories of human-animal relationships are almost a genre now – think H is for Hawk and My Octopus Teacher – and Dalton’s book, beautifully written and superbly illustrated by Denise Nestor, is a fine addition to the canon. Dalton rescues the animal, but she wisely refrains from naming or caging it. And in studying hare history and observing its development into maturity, she discovers how much it has teach her: “I was moved by the leveret’s dignity, the sense of well-being and calm it spread, and the simplicity of its life.”

The Fullness of Time by Cathy Haynes

A journey into the forgotten art of marking time through signs in the world around us – from the slow sliding of sunbeams to the wheeling of the stars.

Past generations would tell time by shadows shrinking, the midday glow over a mountaintop, the crowing of the rooster in the darkness. They noticed the flowers that close at noon, sensed how the quality of light changes at dusk, and marked time at night by the motion of the stars.

Today, in our clock-bound, screen-immersed world, most of us rely on machines to mark the hours. But what riches might we gain from reclaiming the forgotten art of sensing time by events in the living world?

Roaming from ancient downland to city streets, The Fullness of Time is an adventure in search of those patterns that once shaped the rhythm of our days – and an invitation to discover the simple, sensory joys of truly paying attention.

Earthworks: Land and Nature in Uncertain Times, by Karen Lloyd

From the rainforests of Costa Rica to the Balkans and Scotland, Karen Lloyd explores the hidden life of habitats and species including sloths, the rockpool shrimp and the world’s only truly wild horse. She studies the biodiversity of urban wildflower meadows and the contested spaces of landscape recovery, including in the Lake District where she lives, assessing our human impact on the lives of creatures whose survival is deeply intertwined with our own. In an era marked by escalating environmental crisis, this luminous collection challenges us to understand that preserving our planet demands recognising the intrinsic rights of our fellow species; that social and environmental justice are inseparable. Lloyd’s essays blend lyrical observation with urgency and philosophical depth, arguing for new directions for conservation. This collection is a rallying call a celebration of renewal and resilience for all who care about Earth’s future.

The Bee Spotter’s Guide by Dave Goulson

Bees are much-loved and hugely important creatures. But most of us know next to nothing about them. There are actually over 200 species in this country. They live in burrows, holes in trees and even empty snail shells. They have favourite flowers. Some even sleep curled up in the blooms.

They are more fascinating, beautiful and surprising than you can imagine. Once you start to notice bees, sitting in the garden or going for a stroll will never be the same.

This handy little guide is the perfect way to start the journey. It’s beautifully illustrated and has a delightful and thoughtful text by one of Britain’s leading bee experts, Dave Goulson, author of the best-selling Garden Jungle.

Discover mason bees and mining bees, cuckoo bees and carder bees, even a couple of convincing bee impersonators. Learn to distinguish your white-tailed bumblebee from your buff-tailed bumblebee, your pantaloon bee from your hairy-footed flower bee.

FICTION

The Signature of All Things by Elizabeth Gilbert

Elizabeth Gilbert may be best known for her searching memoirs, but her curiosity extends, in this enthralling historical novel, to the world of plants. The story follows Alma Whittaker, a brilliant and observant woman born into a botanical family in Philadelphia, who dedicates herself to the study of mosses. Through years of meticulous observation, she begins to notice patterns in how mosses and other plants spread, compete, and adapt to their environments – and to develop theories about natural selection that prefigure Darwin’s Origin of Species by many years.

Through one woman’s devotion to biological science, Gilbert shows how even the smallest forms of life can expose deep truths about survival, time, and the complexity of existence.

Awake in the Floating City by Susanna Kwan

Bo knows she should go. Years of rain have drowned the city and almost everyone else has fled. But when the health of Mia – a prickly, elderly lady Bo cares for – deteriorates, Bo determines to honour their disappearing world and the woman who brought her back to it, a project that teaches her the lessons that matter most: how to care, how to be present, how to commemorate a life and a place, soon to be lost forever.

‘Susanna Kwan writes climate change into the grain of ordinary life, allowing us into the intimate world of loss, love and attention..’ – Kit de Waal, Climate Fiction Prize judge

Hum by Helen Phillips

In a near-future world addled by climate change and inhabited by intelligent robots called “hums”, May loses her job to artificial intelligence. Desperate to resolve her family’s debt and secure their future for another few months, she becomes a guinea pig in an experiment that alters her face so it cannot be recognized by surveillance.

A novel that delves into the complexities of marriage, motherhood, and selfhood in a world compromised by global warming and dizzying technological advancement, a world of both dystopian and utopian possibilities.

‘Beautiful and intimate, this novel about the difficulties of love and care in a world which is increasingly mediated by technology is one I’ve found myself thinking about long after finishing the last page.’ – Jessie Greengrass, Climate Fiction Prize judge

CHILDREN’S BOOKS

Green: The Story of Plant Life on Our Planet by Nicola Davies and illustrated by Emily Sutton

On land and in the seas, green plants make the oxygen and food that many living things—including us—need to survive. Covering the evolution of the first plants billions of years ago, the secret, microscopic workings of trees and leaves today, and the role of plants in both creating fossil fuels and combating climate change, this book is a lush and fascinating introduction to the science of plants that goes well beyond photosynthesis. A hopeful exploration of green life that will encourage readers to treasure the flora of Earth’s many ecosystems.

Suitable for 5 to 8 years old

LISTENING

Dawn Chorus: A Sound Portrait of a British Woodland at Sunrise (CD-Audio), edited by Ron Kettle & Richard Ranft

At dawn, in the British countryside, there is a pronounced peak in bird singing activity. This is especially noticeable for about an hour after the first light in temperate zone woodlands during spring and early summer. At this time, male birds defend their territories and attract females with their songs. The recordings on this CD are a selection of British woodland recordings, taken from the wonderful collection of the wildlife section of the British Library sound archive. www.bl.uk

Poem of the Month

Lines Written a Few Miles Above Tintern Abbey, On Revisiting the Banks of Wye during a Tour, July 13, 1798.

by William Wordsworth

Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.—Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
‘Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit’s cave, where by his fire
The Hermit sits alone.

                                                   These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man’s eye:
But oft, in lonely rooms, and ‘mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration:—feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man’s life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened:—that serene and blessed mood,
In which the affections gently lead us on,—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.

                                                         If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro’ the woods,
         How often has my spirit turned to thee!

 And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o’er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, nor any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue.—And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear,—both what they half create,
And what perceive; well pleased to recognise
In nature and the language of the sense
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.

                                                 Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; ’tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e’er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain-winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling-place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service: rather say
With warmer love—oh! with far deeper zeal
Of holier love. Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!

Contact our Librarian if you would like themed book lists to support teaching about climate change.

We’re always looking for ideas for books to add to our growing collection of literature on the climate and nature crisis. If would like to share ideas, please get in touch! Contact mattroselibrary@gmail.com.